I'm a commercial filmmaker based in Birmingham with a small, carefully chosen kit built for real commercial and narrative work. Hire it dry, or book me with it. Serving the West Midlands, Warwickshire, Worcestershire, Staffordshire and beyond.
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Full-frame Cinema Line camera. Netflix approved. 4K up to 120fps, S-Log3, variable ND.
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All-in-one cinema camera with built-in 4-axis stabilisation. Includes wireless transmission and high-bright monitor.
61MP full-frame hybrid. Stills and supporting video work.
Coming soon
High-speed slow motion specialist. Arriving soon — enquire for availability.
Four-lens PL/EF set. T2.1 full-frame cinema primes. Matched housings and 80mm fronts.
Individual Vespid prime — 12, 25, 50 or 75mm. Specify in enquiry.
Three-lens compact cine prime set. T1.5 fast stills-style primes for small cameras and hybrid work.
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1200W bi-colour LED point source. HMI-equivalent output for interiors, commercials and daylight fill.
400W bi-colour LED. Compact workhorse for interviews and smaller sets.
600W daylight LED. Punchy, reliable key light.
Spotlight modifier with gobo system. Use with any Bowens mount LED for hard-edged, shaped light.
Two 4ft RGBWW tube lights with production kit. Great for car work, practicals and colour effects.
Compact full-colour RGBWW LED. Accent light, hair light or tight interiors.
A 150cm (5ft) parabolic circular softbox — the big gun for wrapping large spaces and groups in soft, flattering light. Its 32-sided build delivers near-perfectly round catchlights, and the quick-release frame means it's up and on a stand in about a minute. Two diffusion strengths let you dial in exactly how soft you want it. Ideal for interviews, fashion, beauty and full-length portraits where you want a genuinely large, even source.
A 34.8in (88cm) 16-sided softbox — the workhorse modifier for one or two people. Compact, fast to build and broad enough for clean, wrap-around light with natural catchlights, but small enough to control in tight rooms. Removable inner diffuser plus two front diffusers give you fine control over softness and contrast, and the 40° grid plus gel holder add directional and colour options. The go-to for interviews, headshots and portrait work.
Heavy-duty combo stand for the Storm 1200x and larger fixtures.
Master C-stand with arm and grip head. Three available.
Compact boom arm for overhead and hard-to-reach positions.
Heavy-duty clamp for mounting lights and accessories to pipes, bars and set dressing.
Tell me what you need and when. I'll come back to you within a working day with availability and a full quote.
I'm a Birmingham-based commercial DP and filmmaker. This isn't a rental house — it's a working kit that I use on my own shoots, kept in good condition and owned by someone who understands how it's actually used on set. If you're looking for a more flexible option than driving to London and back, or need a DP who turns up with their own gear, this is it.
Collection is from Stirchley, Birmingham (B30) — minutes from the A38, with easy reach of the M42 and M5. Delivery can be arranged across the West Midlands — Birmingham, Coventry, Wolverhampton, Solihull, Walsall, Dudley — and further afield by arrangement. I also work regularly across Warwickshire, Worcestershire and Staffordshire.
Rates above are dry hire — kit only, insured by the hirer. If you'd rather book me as a director of photography with the kit included, the rates restructure around a day rate plus kit — usually cheaper than combining the two separately, and you get a working operator who knows the gear inside out. Get in touch.
Hirers must have production insurance or equipment-specific cover. I'll ask for proof before collection. Short-term cover is available through providers like Aaduki, Performance Film & Media, and Towergate. Happy to point you in the right direction if you're not sure.